Psalms set to tunes in 1567 BIBL E

An early metrical Psalter with a special history

1567 BIBL E The vvhole Psalter translated into English metre, which contayneth an hundreth and fifty Psalmes. (London: John Day, 1567).

Metrical Psalters, which are books of the Psalms recomposed to fit a vernacular meter, became very popular following the Protestant Reformation and the spread of German, English, and French translations of the Bible throughout Europe. A Psalm adapted to an English meter was easier to read (and to memorize), but most importantly it could be sung in church to a number of different tunes. Among the J. Michael Morgan English Bible & Psalmody Collection recently established at Pitts is a 1567 printing of a metrical Psalter, translated by Matthew Parker, Archbishop of Canterbury (1504-1575). Parker’s name is not found on the book’s title page or elsewhere in the volume, but it is revealed in an acrostic poem that precedes his Psalm 119. The book also contains nine four-part settings by Thomas Tallis (1505-1585), specifically written for this Psalter, that could be used to sing this metered paraphrase of the Psalms. A modern recording of the compositions can found here.

Day’s metrical rendering of the Psalms.

While the work itself is significant, this particular copy is especially remarkable for its provenance. An inscription in a 17th-century hand states, “There was written in this book ere the leafe was by accident torn out. This is Ben Johnsons booke, price worth gould.” Assuming that the inscriber was telling the truth, this would substantiate the claim that this Psalter belonged to the English poet Ben Jonson (1573-1637).

The inscription of Sam Woodforde, noting he does not the author.

A more verifiable inscription is by Samuel Woodford (1636-1700), who published his own paraphrase of the Psalms, reading, “Sam Woodforde, this gift of my brother Mr. John Woodford, Aug 1682.” He also notes on the second flyleaf that he does not know who the author of this version of the Psalms is and speculates that it may have been Thomas Wyatt or John Davys (Davies). A third inscription is a signature, “Henry H. Gibbs, St. Dunstans (1860),” which can be verified as Henry Hucks Gibbs, 1st Baron Aldenham (1819-1907), an English politician and a director of the Bank of England. It was most likely Gibbs who had the book rebound by the 19th-century English bookbinder Robert Riviere (1808-1882) in black morocco leather with gilt edges and marbled endpapers.

Are you interested in seeing this and other rare books in the Pitts Special Collections? You can make an appointment any time the reading room is open. You can also learn more about the Morgan Collection online or watch videos from our inaugural Morgan Forum, held in the Fall of 2023.

By Armin Siedlecki, Head of Cataloging and Rare Book Cataloger

Eerdmans Bible Commentaries

Pitts acquires a large collection of biblical commentaries as ebooks

Pitts Theology Library has just purchased online access to a collection of dozens of biblical commentaries from Eerdmans. This acquisition brings valuable resources that have long been appreciated in the library’s print collection to an online audience.

The collection includes ebooks curated for New Testament and Old Testament research, which range from standby foundational works to recently-published scholarship in these areas. 

The New Testament collection features the Pillar New Testament Commentary and the Two Horizons New Testament Commentary, while the Old Testament collection includes the International Theological Commentary and Illuminations Commentary series. The New International Commentary, Eerdmans Commentary on the Bible, Eerdmans Critical Commentary, and the Two Horizons Commentary contain works on both the New and Old Testaments. 

In addition to providing access for current Emory students, Pitts has also added these resources to Emory’s collection of research databases for alumni, meaning that all Emory alumni can access them as well. Alumni who haven’t used alumni research databases yet should contact the Emory Alumni Association for access. Current Emory students should make sure to join the Alumni Association before graduating for the easiest way to maintain access to these library resources after they graduate.

This new content is located on the Theology and Religion Online (TARO) platform, which is also the home of the Anchor Yale Bible Dictionary and Commentaries. Current Emory students, faculty, and staff can access the full TARO collection directly here, or they can search for individual titles in the library catalog


When using these resources, don’t be afraid to think beyond exegesis papers! These commentaries include material intended for work in systematic theology, biblical archaeology, and preaching, as well as historical and textual criticism. To help you get the most out of them, our reference librarians are available for individual consultations. Schedule a time to meet with Dee Roberts or Brady Beard for a 30-minute session tailored to your specific research project.

By Caitlin Soma, Acquisitions & Periodicals Coordinator

Pitts acquires a Franciscan manual for late medieval preachers

Pitts recently added to its growing collection of incunables (books printed before 1501) a 1479 lexical manual for preachers and clergy. The Latin book, titled Mammotrectus super Bibliam (“Nourisher on the Bible”), printed by Nicolas Jensen in Venice, contains etymological and grammatical explanations of words found in the Bible, along with the liturgical hours, arranged in the order of the Bible and the church year. Its author, John Marchesinus, was a Franciscan friar in Italy, likely living in the late 13th or early 14th century, who lamented the lack of education amongst clergy and the poor quality of preaching that resulted from it.

The first word in the title, mammotrectus, denotes “mother’s milk” (i.e. nourishment regarding the Bible), and the term had been used by Augustine in his commentary on the Psalms. Marchesinus himself explains the term to mean “led by a pedagogue.” This work would become one of the most important Franciscan books of the late Middle Ages.

Are you interested in seeing this and other rare books in the Pitts Special Collections? You can make an appointment any time the reading room is open. You can also learn about the Pitts incunable collection by checking out the Spring 2023 exhibition, “This Sacred Art,” curated by Pitts’ Head of Special Collections Brandon Wason.

By Armin Siedlecki, Head of Cataloging and Rare Book Cataloger

Pitts acquires an early 16th Century passional

A popular genre of devotional books in the late Middle Ages and during the Renaissance were passionals, illustrated books about the suffering and death of Christian martyrs, in particular about the passion and death of Jesus Christ.

The text accompanying the images in these books was typically of secondary importance to the images, which were intended to inspire meditation and prayer. A recent acquisition by Pitts is a 1508 passional printed in Strasbourg, Passio domini nostri Jesu Christi (1508 PASS). The Latin text, likely translated from a German original, is a compilation drawn from the four Gospels and edited by the humanist scholar Matthias Ringman (1481-1510) and the popular preacher Johann Geiler von Kaysersberg (1445-1510). The 25 full page woodcut illustrations are early works by the Swiss artist and goldsmith Urs Graf (1485-1528), representing Graf’s first book illustrations signed by him with his characteristic monogram VS. While Urs Graf does not exhibit the detailed realism often found in the art of his contemporaries Albrecht Dürer (1471-1528) and Lucas Cranach (1472-1553), whose works Graf also reproduced in copies, the characterization of his subjects has a uniquely compelling quality, in particular their often unusual facial expressions.

The particular copy of this work acquired recently by Pitts has significance for the library. The book has the previous ownership bookplate of the Swiss church historian Ernest Strœhlin (1844-1907). The bookplate has a depiction of John Calvin preaching and the motto “Mente Libera” (“with a free mind”). Stroehlin was an avid book collector, and many of his books were bound beautifully in fine morocco leather with gilt tooling on the inside edge, with marbled paste-downs and endpapers. These bindings were the work of noted Swiss binder Hans Asper (1855-1911). Stroehlin’s library was auctioned off in 1912, and Pitts has been making a concerted effort to collect these works from his library. The library now holds at least 8 of these Stroehlin/Asper books, several of which were featured in the library’s exhibition “More Precious than Gold”. You can learn more about these bindings in a blog post from last year, and we invite you to make an appointment in our Special Collections to come and see this new acquisition.

By Armin Siedlecki, Head of Cataloging and Rare Book Cataloger

Pitts adds Nuremberg Chronicle to collection

Map of the world

Pitts Theology Library recently acquired a copy of the Nuremberg Chronicle (1493 SCHE B), one of the most famous books produced in the fifteenth century. The Nuremberg Chronicle, or Liber chronicarum, is a history of the world, best known for its abundant illustrations, which include portraits of famous individuals, maps, depictions of biblical or historical events, and cityscapes. Two editions of the Nuremberg Chronicle were printed in 1493 by Anton Koberger (1440-1513). The first was a Latin edition, written by Hartmann Schedel (1440-1514), printed in June with an estimated print run of 1,400 copies. The second was a translation from the Latin into German by Georg Alt (ca. 1450-1510), Das Buch der Croniken, printed in December, with an estimated print run of 600 copies. Alt slightly shortened Schedel’s text to match the layout of the Latin edition. The new Pitts acquisition is this German edition.

Blind-stamped calf binding

The artwork of the Nuremberg Chronicle sets it apart from other early printed books. The work contains an unprecedented amount of woodcuts, which interact with the text in remarkable ways. The images do more than simply provide a visual companion to the written word; they are as essential as the text itself. Several artists created 645 unique woodcuts, many of which were reused throughout the book. In total, there are over 1,800 woodcut impressions in the work. Because many of the depictions of people or places were not based on historical likenesses, the depictions were often anachronistic. Also, it was common for the same woodcuts to be employed multiple times to represent different people or events. For instance, the same woodcut is used for Enoch and his wife (fol. 10r); Japheth and his wife, Funda (fol. 16r); and Abigail and her husband (fol. 42v). Many of the genealogical woodcuts were designed to be modular so that they could be reused in different ways.

Pitts Theology Library acquires materials like this book to provide resources to researchers and to educate through classroom instruction, exhibitions, and other outlets. This particular work complements the Library’s already robust collection of early printed books and woodcut images.

Pitts plans to include this new acquisition in a Spring 2024 gallery exhibition, where it will be displayed alongside the Latin Nuremberg Chronicle held by Emory’s Rose Library.

By Brandon Wason, Head of Special Collections