The Pitts annual book sale and how book donations to the library work

We hope you participated in the annual Pitts Friends of the Library Book Sale, which was held on February 27th and 28th. This year’s sale was a resounding success! After two full days of bookselling and treasure hunting, 67 book bins and numerous single books and volumes found new homes, with only 2 carts of material remaining. Do you ever wonder where those books come from?

The calm before the storm of the 2024 book sale

The Pitts book sale is a significant public-facing event for the library, but preparation for the sale happens behind the scenes throughout the year. Between May 2023 and December 2023, student workers processed 6,280 items donated to Pitts, many of which made their way to the book sale tables!

Each year, Pitts receives many book donations from retiring pastors, former professors, individual collectors, and publishers who want their collections to reach theology students and others who may benefit from owning these books. At times physical donations are brought directly to the library, but ideally spreadsheets and lists are provided digitally before the physical items make their way to Pitts.

Book donations are first assessed for quality, then the items are checked against the existing Pitts catalog to determine if the book or edition is already part of the collection. If the book fits within the library’s collection development policy but has not yet been acquired, it is sent to the library’s catalogers to be added to the collection. If the item is in good condition but the library already owns it, it will be saved for the book sale. Book sale items are housed in temporary storage in the first-floor stacks and further organized by broad subject area, such as Theology, Bible, and Pastoral Care.

Occasionally rare and interesting gems find their way into the stream of donations processing. Standouts from the past few months include an 1883 hymnal and personal artifacts tucked into book pages, such as correspondences between collection owners and book authors.

Do you have books that you want to donate to Pitts? Before heading to the library, please fill out the Pitts book donation form! This allows us to gather the necessary information to prepare for donations before they arrive, and to make sure that the process is as streamlined and organized as possible.

We look forward to seeing you at future book sales!

Written by Linden Abston and Kiah Miller, student workers at Pitts Theology Library

Frontispiece of the Self-Interpreting Bible

John Brown’s Self-Interpreting Bible and an early depiction of America

With the recent establishment of the J. Michael Morgan English Bible & Psalmody Collection, Pitts Theology Library has become a premier library for the study of the Bible in translation. Among the library’s incredible Bible holdings are many of the first Bibles ever printed in the new American nation. One of the more interesting items in the collection is the Self-interpreting Bible by John Brown.

The title page of John Brown’s Self-Interpreting Bible (photo credit: Ann McShane)

John Brown (1722-1787) was a Scottish Presbyterian minister, who published a metrical Psalter, a biblical concordance, and his “Self-Interpreting Bible.” The Bible was first published in Edinburgh in 1778, and though the text was the King James Version, it included Brown’s summaries of biblical books and marginal notes. Brown’s idea was to provide in a single volume all the information a reader would need to understand fully the meaning of the biblical text (hence the name “self-interpreting”). Brown’s Bible became wildly popular in the new American nation; it was first printed in New York in 1792 (the first complete Bible to be printed in the state), and it was subsequently issued in dozens of editions throughout the 19th and 20th centuries.

The first American edition, which is held at Pitts (1792 BIBL), was published by Hodge and Campbell and issued in 40 parts over 2 years, as part of a subscription model of publishing that was popular at the time. In a subscription publication model, the publisher would issue individual fascicles to paying subscribers, who at the end of two years could combine all issues into a single publication and have it bound. President George Washington is listed at the top of Hodge and Campbell’s subscriber list for this Bible.

The frontispiece image in the Self-Interpreting Bible (photo credit: Ann McShane)

Most American printings of the Self-Interpreting Bible added elaborate images to illustrate biblical stories and supplement the text, and this first American edition includes a fascinating frontispiece image, highlighting many Americans’ understanding of the centrality of the Bible to the new nation. The image depicts three women dressed in classical garb. Seated is a figure wearing a headdress, likely depicting the new American nation. In early American history, this is a typical depiction of the nation (see https://www.jstor.org/stable/1180500; Emory login required). Her arm rests on a column, engraved with thirteen names of significant early American figures, with George Washington at the top. In her left hand, she has a copy of the recently-ratified United States Constitution. With her right hand, she is receiving from another a book labeled “Holy Bible.” Between these women stands another figure, likely a depiction of Liberty, holding a staff (called a “vindicta”) topped with a cap (called a “pilaeus”). These two symbols, which go back to classical Greece and the Roman Republic, were often associated with freedom (https://library.princeton.edu/capping-liberty/case/6/index.html).

This image was included in the library’s Fall 2023 gallery exhibition, “The Very Meanest Translation.”  We invite you to tour the exhibition virtually or make an appointment with Special Collections to see this and the library’s unparalleled holdings of early American Bibles.  

Written by Bo Adams, Margaret A. Pitts Distinguished Director

Pitts sticker

The year of physical media

Did you notice that 2023 was the year of physical media? It seems like almost overnight everyone was talking about the importance of having access to physical media. This conversation was mostly started when our favorite shows and films started leaving streaming platforms. At Pitts, we’ve always known that physical media was important. In fact, that’s why we work not only to provide access to our collections, but maintain them too (check out the latest issue of Reformation Notes to read about how we partner with Emory’s Conservation department to do this!).

The cover of the inaugural Pitts Zine

During the 2023-2024 academic year, though, Pitts librarians who work in Reference, Instruction, Outreach, and Digital Initiatives took the commitment to physical media to a new level. First we produced the inaugural (as far as we know) Pitts Zine to share with incoming students. For a long time, zines have been an important form of informal and self-published knowledge. You can learn more about the history of zines and even see examples in the Barnard Zine Library. We hope that our zine will inspire patrons to think differently about how they use the library!

The limited-edition sticker that Pitts sent to Candler’s hybrid students

Our second physical media project was to send out custom-made cards to all enrolled hybrid MDiv students. Hybrid MDiv students also received a special edition “hybrid student only” sticker. We hope that these cards and stickers remind you that the library is here for you even if you can’t walk through the doors!

Some of our favorite physical media from the last year include books (obviously), but also films and music and even street art. Check out the library staff recommendations below.

We love the digital here at Pitts, but we’re not leaving physical media behind!

By Brady Beard, Reference and Instruction Librarian

Professor Andrew Pettegree

Pitts to host Professor Andrew Pettegree for Kessler Table Talk

Professor Andrew Pettegree will lecture on “Book History’s New Frontier and the Perils of Big Data”

Pitts Theology Library is excited to welcome Professor Andrew Pettegree, of the University of St. Andrews, to give the Spring “Table Talk” keynote lecture, “Book History’s New Frontier and the Perils of Big Data,” on Thursday, April 11th at 5:30pm in Emory’s Cannon Chapel. Dr. Pettegree is one of the leading voices in the study of the history of the book and a world-renowned cultural historian of the early modern period. The lecture is at 5:30pm in Emory’s Cannon Chapel, but the library invites all to come as early as 3:30pm that day to tour the library’s exhibition and learn about updates to the library’s Richard C. Kessler Reformation Collection. All events are free and open to the public, but registration is required: http://pitts.tl/kessler2024. The event will be livestreamed, and the link for the livestream will be sent to those who register in advance. A schedule of the afternoon’s events is below:

3:30pm-4:30pm: Registration and Exhibition Tours (Pitts Theology Library)
4:30pm-5:15pm: Kessler Collection Updates from the Library Director (Pitts Theology
Library)
5:30pm-6:30pm: Keynote Address (Cannon Chapel)
6:30pm-7:30pm: Reception (Candler School of Theology Atrium and Plaza)

Psalms set to tunes in 1567 BIBL E

An early metrical Psalter with a special history

1567 BIBL E The vvhole Psalter translated into English metre, which contayneth an hundreth and fifty Psalmes. (London: John Day, 1567).

Metrical Psalters, which are books of the Psalms recomposed to fit a vernacular meter, became very popular following the Protestant Reformation and the spread of German, English, and French translations of the Bible throughout Europe. A Psalm adapted to an English meter was easier to read (and to memorize), but most importantly it could be sung in church to a number of different tunes. Among the J. Michael Morgan English Bible & Psalmody Collection recently established at Pitts is a 1567 printing of a metrical Psalter, translated by Matthew Parker, Archbishop of Canterbury (1504-1575). Parker’s name is not found on the book’s title page or elsewhere in the volume, but it is revealed in an acrostic poem that precedes his Psalm 119. The book also contains nine four-part settings by Thomas Tallis (1505-1585), specifically written for this Psalter, that could be used to sing this metered paraphrase of the Psalms. A modern recording of the compositions can found here.

Day’s metrical rendering of the Psalms.

While the work itself is significant, this particular copy is especially remarkable for its provenance. An inscription in a 17th-century hand states, “There was written in this book ere the leafe was by accident torn out. This is Ben Johnsons booke, price worth gould.” Assuming that the inscriber was telling the truth, this would substantiate the claim that this Psalter belonged to the English poet Ben Jonson (1573-1637).

The inscription of Sam Woodforde, noting he does not the author.

A more verifiable inscription is by Samuel Woodford (1636-1700), who published his own paraphrase of the Psalms, reading, “Sam Woodforde, this gift of my brother Mr. John Woodford, Aug 1682.” He also notes on the second flyleaf that he does not know who the author of this version of the Psalms is and speculates that it may have been Thomas Wyatt or John Davys (Davies). A third inscription is a signature, “Henry H. Gibbs, St. Dunstans (1860),” which can be verified as Henry Hucks Gibbs, 1st Baron Aldenham (1819-1907), an English politician and a director of the Bank of England. It was most likely Gibbs who had the book rebound by the 19th-century English bookbinder Robert Riviere (1808-1882) in black morocco leather with gilt edges and marbled endpapers.

Are you interested in seeing this and other rare books in the Pitts Special Collections? You can make an appointment any time the reading room is open. You can also learn more about the Morgan Collection online or watch videos from our inaugural Morgan Forum, held in the Fall of 2023.

By Armin Siedlecki, Head of Cataloging and Rare Book Cataloger