woodcut from the Nuremberg Chronicle

July 30 Day Display: Colorized Woodcuts

Did you know that historical engravings and woodcuts allowed for creative license? Colors were often added after book production by their owners to enhance images. Find 15th and 16th century examples from Pitts’ collections at the new 30 Day Display for July!

Nuremberg Chronicle

1493 SCHE A

This woodcut depicting Christ enthroned, surrounded by the apostles, originally appeared in the Nuremberg Chronicle. The Chronicle is a renowned encyclopedia printed in Nuremberg in 1493 by Anton Koberger (c. 1440-1513), which recounts known human history at the time and is illustrated by hundreds of woodcuts, including Biblical scenes, maps of cities, and mythological creatures. The text of the work was originally written in Latin by Hartmann Schedel (1440-1514), and the book was quickly translated into German by Georg Alt (1450-1510) in an edition printed the same year by Koberger. Woodcut images from the Chronicle were often colored by hand by artists or the owners of the book, as has this particular woodcut, which appeared in the German edition of the Chronicle. 

Hans Schäufelein (c. 1480-1540)

MSS 400

This colorized woodcut was designed by the German artist Hans Schäufelein (c. 1480-1540). Schäufelein was an assistant to the famed artist Albrecht Dürer (1471-1528), and his work resembles the woodcuts of the master. This particular image, depicting the scourging of Christ, was originally part of a devotional work Speculum passionis Domini Nostri Ihesu Christi, published by Ulrich Pinder (d. 1519) though it has since been separated from the book (Pitts owns a copy- 1507 PIND). A prior owner has colored the image by hand.  

 

 

Drop by Level 2 of the library to see colorized woodcuts from two different artists of the 15th and 16th centuries, and try your own hand at enhancing images (but please not in the library collection itself)! Purchase a Pitts’ Digital Image Archive Coloring Book at the Circulation Desk!

pages from an old Bible

June 30 Day Display: Medieval Manuscripts Preserved in Bindings of Later Books

June’s 30 Day Display at Pitts features a two-for-one trend in the library world: medieval manuscripts preserved in bindings of later books!

The collections of Pitts Theology Library include many manuscripts from the Middle Ages. Some of these are full works that have survived intact, but many are single leaves, which were separated from a larger work at some point in the past. Manuscript leaves often survived by being incorporated into the bindings of later works. On display here are two examples of this practice, drawn from Pitts’ Special Collections. 

Johannes Reuchlin (1455-1522), On the Cabalistic Art

In this book, printed in France in 1517, the Christian humanist and Hebraist Johannes Reuchlin examines the principles of Cabala, an esoteric Jewish philosophy and system of biblical interpretation, in defense of Christianity. This particular copy of the work has been bound in a medieval parchment manuscript leaf from the Latin (Vulgate) Bible. The cover shows a portion of Psalm 16 with illuminated initial letters.

Kessler Reformation Collection 1517 REUC

Leaf from a 12th century Manuscript of Gregory the Great’s (540-640 CE) Moralia in Job

This manuscript leaf comes from a copy of Gregory the Great’s highly influential commentary on the book of Job. It is written in a rotunda script and dates from the early part of the High Middle  Ages, likely the 12th century. It is clear from the folds in the parchment that the leaf survived as part of the binding of another book, which was later deconstructed. The passage in this leaf is from the end of book 33, which explores the speeches of Elihu in chapter 32 of Job. Gregory advocated for a threefold exegetical method to biblical texts, including the literal sense, the tropological (or moral) sense, and the allegorical sense.

Pitts Theology Library MSS 449

Stop by the main level of the library to see these incredible items in person! Is there something you’d like to see featured in the 30 Day Display from Pitts’ Rare Books & Archives? Contact Pitts at pitts.emory.edu/ask!

image of howard thurman exhibition poster

New 30 Day Display: Sarah Wesley Correspondence & Poetry

Pitts’ new window to its world renowned collection of rare books and archives, the 30 Day Display, has changed faces for April! Housed on the main entry level of the library, the 30 Day Display highlights a new rare book or archival item every month, complete with a state-of-the-art, customized exhibition case and digital display. The Emory community and beyond is invited to drop by the library to view the item on display (find Visitor Policies here).This month, Pitts highlights items from Sarah Wesley’s Correspondence and Poetry (MSS 159).   

Sarah Wesley (1759 or 1760-1828), known to friends and family as “Sally,” was the only surviving daughter of Charles Wesley (1707-1788). She was a devoted daughter and sister, as well as traveler and socialite. Sarah was also a poet, though her works were never published. On display here is a personal letter Sarah sent to her long time friend, Dr. Thomas Griffin Tarpley. The letter is addressed with the request, “To be opened at my Death.” In the letter, dated February 1788, about a month before her father died, Sarah explains, “There is no other Person in the World to whom [Sarah] would entrust these Papers,” and she insists she would have “burnt all if [she] had not promised [Tarpley] in the year 1777, their Perusal at [her] Death.” Sarah notes that the papers were largely written while she was in her teens, and she asks Tarpley “to destroy all that have an immediate tendency to Religion & Morality,” insisting that “none of them will be found.” Whether Tarpley destroyed the papers is unknown. Curiously, the collection of poems and notes on display here, one of which is addressed to Tarpley himself and many of which are dated between 1777-1779, may show that Tarpley deemed Sarah’s words too precious to destroy.

The 30 Day Display is available for viewing during library open hours on Level 2 of Pitts Theology Library. 

image of howard thurman exhibition poster

Exhibition Opening: To Make the Voice Heard

For the first time in two years, Pitts Theology Library is opening a new gallery exhibition! Pitts’ 22-case gallery was temporarily closed during the height of the Covid-19 pandemic, and the staff cannot wait to reopen the space as a window into the library’s world-renowned Special Collections and Archival Holdings.

This Spring, the library invites visitors to experience To Make the Voice Heard: Howard Thurman’s Prophetic Spirituality and Recordings During the Long Sixties. Curated by Dr. Timothy M. Rainey II (St. Olaf College) with support from Dr. Spencer Roberts (Head of Digital Initiatives and Technology), this exhibition invites visitors to listen to Pitts’ digitized Howard Thurman audio collection (thurman.pitts.emory.edu) while viewing items from the Bailey and Thurman Family Papers held by Emory’s Stuart A. Rose Library.

Exhibition poster for To Make the Voice HeardHoward and Sue Bailey Thurman spent nearly fifty years traveling the world, building interfaith networks, and expanding how scholars and activists imagined the democratic community. A prolific writer and speaker, Howard Thurman’s influence extended beyond the audiences he captivated in the flesh and included the millions who would enter the room by way of his recordings. To Make the Voice Heard: Howard Thurman’s Prophetic Spirituality and Recordings During the Long Sixties illuminates how the sonorous tenor of Thurman’s voice cultivated meditative encounters among audiences within whom he aspired to awaken a radical pursuit for common ground during the mid-twentieth-century era of profound social transformation.

Reflecting on the curation process, Dr. Rainey explains, “As Pitts Theology Library prepared to launch The Howard Thurman Digital Archive in 2019, I accepted an incredible opportunity to author the first round of metadata that would accompany Thurman’s recordings. Still completing my dissertation, the breaks I took from writing to work on the digital archive did not feel like work. Each assignment offered a reflective interruption amid the rapid pace of daily life. A few years later, when Bo Adams proposed that I take the role of lead curator for an exhibition on Howard Thurman, I didn’t hesitate to accept. To Make the Voice Heard invites audiences to pause, observe, and attempt a meditative encounter with the figure’s sonorous speech. Through recordings, photographs, and artifacts – highlighting years of global ministry shared with his partner Sue Bailey Thurman – visitors will find a Howard Thurman profoundly impacted by injustices in the world and committed to thinking broadly about the work of love and democratic hope. Image of exhibition gallery listening roomA teacher, minister, writer, advisor, and civil and human rights advocate, Thurman introduced Mahatma Gandhi’s philosophy of nonviolence to civil rights discourse in the United States and was a constant resource for prominent leaders during the mid-twentieth century. He often encouraged activists to rest and achieve ‘healing detachment.’ We hope that all who attend the exhibit adopt this wisdom and find within the woven fragments of Thurman’s life inspiration to relate to the world in fresh and meaningful ways.”

This exhibition is open during library hours to Emory students, faculty, and staff, in addition to the general public. Please note that Emory cards are required, or visitors can make a reservation at pitts.emory.edu/reservations to visit the gallery. Find parking information and directions to the library at pitts.emory.edu/parking.

photo of library exhibit with glass case and digital screen

Pitts’ New 30 Day Display

Pitts is thrilled to launch a new window to its world renowned collection of rare books and archives, the 30 Day Display! Housed on the main entry level of the library, the 30 Day Display highlights a new rare book or archival item every month, complete with a state-of-the-art, customized exhibition case and digital display. The Emory community and beyond is invited to drop by the library to view the item on display (find Visitor Policies here).

This month features our first edition of John Wesley’s Explanatory Notes upon the New Testament (Bristol, 1755). When John Wesley wrote his Explanatory Notes upon the New Testament, he had retired to Bristol in 1753 because of his deteriorating health. Facing the possibility of the end of his life (though he would live for nearly four more decades), Wesley thought the timing was right for a project of so great importance. He wrote his commentary for an “unlearned” audience who “reverence and love the word of God, and have a desire to save their souls.” To aid in this goal, Wesley made “the notes as short as possible that the comment may not obscure or swallow up the text: and as plain as possible.” His notes also drew heavily on other sources such as Johann Bengel’s Gnomon Novi Testamenti and Philip Doddridge’s Family Expositor. One of the rare features of this work was the image of Wesley in the frontispiece, which emphasizes his role as Fellow of Lincoln College. In the image, a younger Wesley wears a clerical uniform with the Geneva tabs and is shown with his original hair. A Bible sits on the table while he holds another book with his crossed hands. This engraving by John Downes (1722-1774) was an adaptation of the 1742 painting by John Williams. Later, Wesley would promote his Explanatory Notes along with his published sermons as doctrinal standards for Methodist preachers. 

 Check out this item on Level 2, and stay tuned for March’s 30 Day Display feature coming soon!